The saris take 4-6 months to make, with more than 70 days for the coloring of the silk threads, and about 25 days for the weaving. They come in four styles: 1) for the Jains and Hindus, with flowers, parrots, elephants, and dancing figures, 2) for the Muslim Bohras, with geometric and floral design, to be used at weddings, 3) for Maharashtrian Brahmins, in solid dark colors bordered with designs of women and birds, called Nari Kunj, and 4) for traditional export markets in the Far East.
Distance : 3.27 km
Patola is the name of the silk saris unique to Patan. One version of the Patola legend is that King Kumarpal (12th century) commissioned Patola robes from Jaina (South Maharashtra), a new one for every daily puja. When he learned the King of Jaina was sending him used clothes, he went to the south to attack and defeat the southern ruler. He brought back 700 Patola weaver families to Patan. Of those families, only the Salvis continue the craft today.
Patola is one of the most difficult forms of weaving in the world. It uses a double ikkat style where the warp and weft threads are dyed meticulously before weaving, according to a per-designed pattern. The weaver then aligns them perfectly on the loom, which naturally creates a unique combination of geometric delineation with soft hazy outlines. Besides in Patan, double ikkat is used only in Bali, Indonesia. It is said that an Indonesian king visited India, was awed by the Patola craft, and took it back to his land saying that only Indonesian royalty would be allowed to wear it.